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    • Home
    • Why
      • Why Bus Stop Books?
      • Why Books Like This?
      • Why Short Stories?
      • Why Quality Artwork?
    • Info
      • Contributors
      • FAQ
      • Sample pages
    • Contact
    • Books
  • Home
  • Why
    • Why Bus Stop Books?
    • Why Books Like This?
    • Why Short Stories?
    • Why Quality Artwork?
  • Info
    • Contributors
    • FAQ
    • Sample pages
  • Contact
  • Books

Because artwork matters.

Older struggling readers need visual cues to help them understand what they are reading. They deserve mature art that has multiple meanings, honors their intellect, and is not embarrassing to be seen with. Simplistic artwork that merely mirrors what is written in the text is not only condescending to older students but can encourage them to depend on pictures to guess at words rather than practice the skills to read them. Well-crafted illustrations give students a firm grounding in what the text is about but also expresses ideas well beyond.


Example from Just the Beginning, artwork by Erika Villareal Bunce, (c) 2024:

Here the narrator is grappling with how she feels about her presence in America,  and the illustration adds more layers to this that teachers can take advantage of:


  • What is the narrator thinking about as she is considering being glad and mad? (The women in her family, the jobs they have had, the sacrifices they have made.)
  • What are these silhouettes? (Slaves, market women, sharecropper, domestic worker, Northern Migration, Black Power, historic progress). 
  • What does the road represent? (The path of history) 
  • The road’s texture changes as time passes. What does this represent? (How difficult life has been at different times. Their surroundings, moving from rural to urban.)
  • What does the ship indicate? (Slavery). What body of water is that then? (The Atlantic Ocean)
  • Did they notice that the narrator’s hairstyle echoes the rows in the cotton field?
  • Students can think about attaching years to the time periods represented
  • Students can choose one silhouetted figure to research and flesh out. 
  • Students can draw or create a collage of their own family histories with themselves at the center. 


This type of analysis, impossible with simplistic art, allows these stories to be used full classroom.

Example from Bus Stop Blues, artwork by Lamarr Sanders, (c) 2023

Here the narrator is describing what being a struggling reader feels like, as if he is running after a bus that will not stop for him. 

  • What does the bus represent? Classroom instruction, his education, the curriculum, proficiency all that he is missing by not being able to read.
  • Why is the bus so blurry? It is moving fast, it is not clear to him, he is falling further behind
  • Who is the driver of the bus? The teacher, the administration, the school board, the government, all the adults and systems responsible for his education
  • What does his body position reveal? He is desperate to learn, he is trying hard, he is present, he can'tunderstand why the bus won't stop for him, why the bus doesn't even seem to see him
  • Do students recognize what does his clothing reveal? He is in kahkis, dressed to learn, he has his backpack, what else can he do? 
  • Students can think about their own experience at school. What would they be doing if they were in the picture? On the bus? Sitting on the curb? Hanging onto the back of the bus? Running? Walking?
  • If the bus allegory does not address their experience, have them come up with an allegory of their own and represent it visually.
  • Students can research and analyze national data for reading proficiency over the last 20 years. What story is there? How does their experience fit with the data?
  • Students can go home and ask their family and friends what their educational experience felt like to them.

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